Music

John Cage and His Extraordinary, Experimental Music 

“Experimental” is the term most often used describe the music of John Cage. But for those who have never heard nor seen a Cage performance, the term experimental says little.  Mozart was experimental. Miles Davis was experimental. The Beatles were experimental. But when the word is applied to John Cage, “experimental” takes on an entirely […]

Music

Aerosmith stuns in an intimate performance at the Colosseum in Rome

A decade later, people are still talking about and watching Aerosmith’s performance at the Colosseum in Rome (and for good reason!). Stephen Tyler took the stage on September 8th, 2017, as a benefit for the Andrea Bocelli Foundation and the Muhammad Ali Parkinson Center. The night also featured many of the greats, including Elton John,

Music

Charles Bradley’s soulful cover of Black Sabbath’s Changes

There are moments in music history when two worlds that seem lightyears apart collide and create something startlingly human. Charles Bradley covering Black Sabbath’s Changes is one of those moments. On paper, it sounds almost like a novelty: a soul singer reimagining a heavy rock ballad. But once you hear Bradley’s trembling voice wrap itself

Music

The incredible genius of the guitarist Django Reinhardt

Before there was John Mayer, Eric Clapton, Chet Akins, or Freddie King, there was “Django” Reinhardt; creator of a style of Jazz guitar now referred to as “Gypsy Jazz.”  After establishing an extraordinary following in Paris, France, in the autumn of 1946, Reinhardt made his first tour of the US, debuting at Cleveland Music Hall

Music

When “Creep” Learned to Sway: Haley Reinhart and Postmodern Jukebox Reimagine Radiohead

When Radiohead first released “Creep” in 1992, the song was messy, raw, and a little uncomfortable. Thom Yorke’s distressed voice created an unforgettable sense of tension. Decades later, the track found itself reincarnated through the unlikely collaboration of Postmodern Jukebox and vocalist Haley Reinhart. What was once grunge-inflected alienation suddenly sounded like it belonged in

Modern Art

Ye-Lim Kim brings heavenly grace to “A Thousand Years” on ice

Two years ago, Ye-lim Kim transformed Christina Perri’s “A Thousand Years” from a simple pop ballad into a stunning masterpiece on ice. Viewers became captivated by the gentle movements and clean transitions that fans will recognize only when the skater has total control, yet the mood was warm and familiar. That blend of control and

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